Methodology & sources
Every number here is meant to be trusted — so here is exactly where the figures come from, how they're checked, and how often they're refreshed.
Data last reviewed
How a figure gets verified
Primary sources, not summaries
A number is verified against the body that owns it — the chart's official run, the certifying database, the platform's own screen or, where the platform publishes no figure, a named and dated tracker method. Search-result snippets and news write-ups go stale and often quote the wrong chart (Global 200 vs Global 200 Excl. US, for example), so an official chart body's own card or database always wins over a summary that paraphrases it.
Nothing goes up unverified
If a claim can't be traced to a primary source, it doesn't appear as fact. Where something is credible but not yet confirmed, it's labelled as such (for example, cars in the collection marked “unconfirmed”) rather than stated flatly.
The right metric, precisely
Similar-sounding figures are kept distinct — chart entries versus peaks, worldwide charts versus US-inclusive ones, and “No. 1s” counted as the number of times a song reached the top spot, not the number of songs released. Today the site tracks 384 chart entries, 46 worldwide No. 1s and 251 certifications across 27 countries.
A certification is not a chart entry
A certification counts units sold or streamed across a release's whole life; a chart entry counts one week against everything else out that week. A song can clear a certification threshold without ever entering a country's principal chart, so the two are never merged and a certification is never promoted into a placing. Davido's “Blow My Mind” and “Risky” are the clearest case: both appear on the UK's Official Video Streaming Chart, and neither has ever entered the Official Singles Chart. A component chart is not the chart, and reading one as the other is the most common way these tallies inflate.
Conflicts resolve to the source of record
When two sources disagree, the one that owns the data wins: SNEP for the French chart, Billboard for the Global 200, the RIAA for US certifications. A louder or more recent headline doesn't override the official record.
Where the numbers come from
Official certification databases of each market — the RIAA (US), BPI (UK), SNEP (France), BVMI (Germany), FIMI (Italy) and others. A certification is only counted once it appears in the awarding body's own searchable database, or the body itself has published it. In Burna Boy's own record, the 3 exceptions are markets with no current public register, where the labels' own plaques stand: “Dai Dai”'s Platinum in Colombia, issued by Sony Music, and “Dai Dai”'s Diamond in Turkey, issued by Sony Music Türkiye; and a register that holds no row for the title, where the label's own plaque stands: “All Eyes on Me”'s 19× Platinum in South Africa, issued by Sony Music Africa. On the Afrobeats board, a label's own plaque or announcement stands where the register holds no row or, as in Turkey, there is no register: Tems's “No.1” Gold in South Africa, issued by Sony Music Africa; Tyla's 10 certifications in South Africa from Sony Music Africa — 9 on its own plaques and “Chanel” Gold, announced on its own X account, 8 Jan 2026; Tyla's “Water” 3× Diamond in Turkey, issued by Epic Records. And the certifying body's own published announcement stands where its database omits the row: Tyla's “Tyla” Gold in France, announced by SNEP on its own X account, 6 Apr 2026, and not in its database.
The chart body that owns each chart, read from its official run and never from a third-party summary. 37 of the tracked charts are the national industry body's own — the Official Charts Company (UK), SNEP (France), GfK (Germany), FIMI (Italy), PROMUSICAE (Spain), ZPAV (Poland), TurnTable (Nigeria) and their equivalents. 18 are airplay or broadcast-monitor charts — Monitor Latino, TopHit, Radiomonitor, Ipsos, BMAT, PROPHON — and count only where the country publishes no other national chart at all. 14 are Billboard country charts, used only where a territory has no national body chart of its own — including the US and Canada, where Billboard's is the chart of record. The remaining 2 are Billboard's two worldwide charts. Where a country does publish an official non-airplay chart, that chart wins.
Spotify and YouTube's own in-app figures for monthly listeners, followers and view counts, cross-checked against the platforms directly. The one figure Spotify never publishes — a career stream total — is built from its per-track counts: kworb's mirror of them, summed daily, anchored to a dated read of ChartMasters' count, from its Playcounts Tool or the exact running totals its public artist page prints (last 18 October 2026), with the gap between the two re-measured at each dated read.
The awarding organisation's official winners and nominees lists — the Recording Academy (Grammys), BET, the BRIT Awards, MOBO, MTV and others — plus contemporaneous reporting from established outlets for the ceremony itself.
Box-office and attendance figures from Billboard Boxscore and Pollstar reports as published by TouringData, where available; verified venue capacities; and primary reporting for one-off shows and festival billings.
How often it's updated
Fast-moving streaming figures are tracked live and updated as they move. Slower records — certifications, chart peaks, awards — are updated as each milestone is confirmed. Every change worth noting is logged on the updates feed.
Spotted something wrong?
Accuracy matters more than being first. Send the primary source — an official chart card, a certification database entry, a platform screenshot — via the contact page. Verified corrections are applied quickly and noted on the feed.
When a source shows less than it awarded
A register can publish fewer certifications than it has issued, and absence from one is not evidence against it. Nigeria is the sharpest case: TurnTable's public certification page serves a hard cap of 500 rows, and currently no Silver certifications at all — for any artist. This site reads that same register's own archived captures alongside the live page, so its Nigerian counts run higher than TurnTable's site shows today. Nothing is inferred: it is the same register, read further back. Open the capture below and search an artist's name to check any figure yourself.
TurnTable's register, Feb 2026 capture ↗Independence
A fan-made project with no affiliation to Burna Boy or his team, no sponsorship and no advertising. There is no commercial incentive to inflate a number.
Methodology & Sources
Every number here is meant to be trusted — so here is exactly where the figures come from, how they're checked, and how often they're refreshed.
Burna Boy Stats is an independent, unofficial site that tracks Burna Boy's certifications, charts, streaming and career records. It runs on curated data, and the value of that data is only as good as its sourcing.
Data last reviewed
How a figure gets verified
Primary sources, not summaries
A number is verified against the body that owns it — the chart's official run, the certifying database, the platform's own screen or, where the platform publishes no figure, a named and dated tracker method. Search-result snippets and news write-ups go stale and often quote the wrong chart (Global 200 vs Global 200 Excl. US, for example), so an official chart body's own card or database always wins over a summary that paraphrases it.
Nothing goes up unverified
If a claim can't be traced to a primary source, it doesn't appear as fact. Where something is credible but not yet confirmed, it's labelled as such (for example, cars in the collection marked “unconfirmed”) rather than stated flatly.
The right metric, precisely
Similar-sounding figures are kept distinct — chart entries versus peaks, worldwide charts versus US-inclusive ones, and “No. 1s” counted as the number of times a song reached the top spot, not the number of songs released. Today the site tracks 384 chart entries, 46 worldwide No. 1s and 251 certifications across 27 countries.
A certification is not a chart entry
A certification counts units sold or streamed across a release's whole life; a chart entry counts one week against everything else out that week. A song can clear a certification threshold without ever entering a country's principal chart, so the two are never merged and a certification is never promoted into a placing. Davido's “Blow My Mind” and “Risky” are the clearest case: both appear on the UK's Official Video Streaming Chart, and neither has ever entered the Official Singles Chart. A component chart is not the chart, and reading one as the other is the most common way these tallies inflate.
Conflicts resolve to the source of record
When two sources disagree, the one that owns the data wins: SNEP for the French chart, Billboard for the Global 200, the RIAA for US certifications. A louder or more recent headline doesn't override the official record.
Who can read this site
The target is WCAG 2.1 AA. In practice that means every page works from the keyboard alone with a visible focus ring, the interactive parts — search, the filters, the tour map — are operable without a mouse, text meets AA contrast in both the dark and the light theme, images that carry meaning have alt text while decorative ones are hidden from screen readers, motion respects prefers-reduced-motion, and controls meet the 44px touch target — some of them through an extended hit area rather than a larger visible box, which is why a few look smaller than they are.
Known gaps, because a statement listing only successes is no use to the person relying on it: the world map on the tours page is a visual first and its country shapes cannot be reached by keyboard — the same journeys are listed as text on the same page, and on a phone the list is what renders. Some data tables scroll horizontally on narrow screens. If something here does not work for you, the contact page reaches me directly and it is worth reporting — it will get fixed.
Claims checked and not published
Bigger totals for this artist circulate every few months. Each one has been walked body by body against the awarding organisation's own records, and what could not be traced is not here. The checks cut both ways — four of them changed figures on this site.
No primary source names him
- ASCAP Awards
- No primary source names him for a specific song or year.
- The FABYs
- No primary source names him at all.
- That Grape Juice Awards
- No primary source names him at all.
- Africa Golden Awards
- No primary source names him at all.
- Odudu PH City Awards
- No primary source names him — four claimed wins, none traceable.
- Nigeria Music Video Awards (win)
- Nominations only. The claimed win rests on a low-confidence source, so it is not counted.
- NMPA Songwriter Awards
- No evidence of any kind.
- TooXclusive Awards
- A real ceremony, but no verifiable win — the ceremony existing is not the same as the win existing.
- The Nation Newspaper Awards
- Editorial praise, not a competitive award. Recognition is not a trophy.
- “Ghana Music Awards USA”
- No ceremony by that name appears to exist. The real diaspora show is the Ghana Entertainment Awards USA, which is listed here under its own name.
Counts that circulate higher than mine
- AFRIMMA — 10 wins
- Eight. The 2019 and 2020 winners lists match this site exactly.
- Metro FM Music Awards — 4 wins
- Three, all from 2016.
- BMI Awards — 2 wins
- One, for “Last Last” in 2023.
- Galaxy Music Awards — 5 wins
- One. No breakdown of the other four exists anywhere.
- African Giant — “the first ever certified Nigerian album” (Silver, UK, 22 September 2020)
- The certification is real but the rest is not. BPI's own register dates the Silver 18 September 2020 — the 22nd is when the press ran it — and the album has been Gold since 22 July 2022. It was Burna Boy's first UK-certified album, not the first certified Nigerian one: Sade, born in Ibadan, had Diamond Life at 4× Platinum with the BPI by 1987, and Lagos-born Keziah Jones's Blufunk was Double Gold with SNEP in June 2000. This site carries the certification and its dates, and no superlative.
- “Dai Dai” — 6,050,000 units sold worldwide (and, since October 2026, “an estimated 10 million”)
- A fan estimate, not a figure any body or platform publishes. No certifying body states worldwide units for a single, and pure sales run in the low thousands a week, so a total that size can only be streams converted to units at a ratio of the poster's choosing — its lines for India, MENA, Brazil and Mexico sit where no register prices the song at all. The later “estimated 10 million”, from October 2026, is by its own label the same kind of figure. This site prices the song's 19 certifications at their own bodies' thresholds — at least 3,144,689 certified units across the 18 that can be priced — and publishes no worldwide total.
Checks that changed my own figures
- “Ginger” — Swiss Platinum
- Gold. IFPI Schweiz's register prints one row for the record, Gold in 2023, and no Platinum in any year; the tier had been carried a rung too high since 2023. Caught because Wizkid's board row read Gold and the compare page priced the same recording two ways.
- IRAWMA 2023 — logged as a loss
- He won Best Afrobeats Entertainer at the 40th IRAWMA. Confirmed on the ceremony's own winners list and flipped to a win.
- The Headies — a tenth win nobody could source
- Found: Rookie of the Year, 2012, shared with Dammy Krane — his first award. The ceremony page omits the special category, so it took the Headies' own category history and a 2014 winners archive to confirm.
- AEA USA 2025 — press said Best Male Artist
- Press misread the list order; that one went to Wizkid. He won International Artist of the Year, which the awarding body's own winners PDF gold-marks.
Who awards a certification, and what it means
A certification is awarded by one country's industry body against that body's own threshold, and the thresholds are not the same. A tier is a statement about one market, not a common unit — so the totals on this site count certifications, and a certification count is never a sales figure. The clearest example is on this site already: “Dai Dai” holds 19× Platino from the RIAA's Latin programme — Premios de Oro y Platino, which certifies a Platino at 60,000 units, so its 19× is 1,140,000; a standard RIAA Platinum is 1,000,000, more than sixteen times a Platino. Every certification here is printed under the name its own programme gives it, and counted on its own line, for exactly that reason. Never add tiers across programmes and read the result as scale.
- AFPPortugal
- AMPROFONMexico
- ARIAAustralia
- BPIUnited Kingdom
- BVMIGermany
- ČNS IFPI (Czechia)Czech Republic
- ČNS IFPI (Slovakia)Slovakia
- FIMIItaly
- IFPI AustriaAustria
- IFPI DenmarkDenmark
- IFPI GreeceGreece
- IFPI NorwayNorway
- IFPI SverigeSweden
- IFPI SwitzerlandSwitzerland
- MAHASZHungary
- Music CanadaCanada
- NVPINetherlands
- Pro Música ColombiaColombia
- Pro-Música BrasilBrazil
- PromusicaeSpain
- RIAAUnited States
- RiSASouth Africa
- RMNZNew Zealand
- SNEPFrance
- Sony Music TürkiyeTurkey
- TurnTable (TCSN)Nigeria
- UltratopBelgium
- ZPAVPoland
Where the numbers come from
- CertificationsRIAA · BPI · SNEP · BVMI
- Official certification databases of each market — the RIAA (US), BPI (UK), SNEP (France), BVMI (Germany), FIMI (Italy) and others. A certification is only counted once it appears in the awarding body's own searchable database, or the body itself has published it. In Burna Boy's own record, the 3 exceptions are markets with no current public register, where the labels' own plaques stand: “Dai Dai”'s Platinum in Colombia, issued by Sony Music, and “Dai Dai”'s Diamond in Turkey, issued by Sony Music Türkiye; and a register that holds no row for the title, where the label's own plaque stands: “All Eyes on Me”'s 19× Platinum in South Africa, issued by Sony Music Africa. On the Afrobeats board, a label's own plaque or announcement stands where the register holds no row or, as in Turkey, there is no register: Tems's “No.1” Gold in South Africa, issued by Sony Music Africa; Tyla's 10 certifications in South Africa from Sony Music Africa — 9 on its own plaques and “Chanel” Gold, announced on its own X account, 8 Jan 2026; Tyla's “Water” 3× Diamond in Turkey, issued by Epic Records. And the certifying body's own published announcement stands where its database omits the row: Tyla's “Tyla” Gold in France, announced by SNEP on its own X account, 6 Apr 2026, and not in its database.
- Charts37 national · 18 airplay/monitor · 14 Billboard country · 2 global
- The chart body that owns each chart, read from its official run and never from a third-party summary. 37 of the tracked charts are the national industry body's own — the Official Charts Company (UK), SNEP (France), GfK (Germany), FIMI (Italy), PROMUSICAE (Spain), ZPAV (Poland), TurnTable (Nigeria) and their equivalents. 18 are airplay or broadcast-monitor charts — Monitor Latino, TopHit, Radiomonitor, Ipsos, BMAT, PROPHON — and count only where the country publishes no other national chart at all. 14 are Billboard country charts, used only where a territory has no national body chart of its own — including the US and Canada, where Billboard's is the chart of record. The remaining 2 are Billboard's two worldwide charts. Where a country does publish an official non-airplay chart, that chart wins.
- StreamingSpotify · YouTube · in-app figures
- Spotify and YouTube's own in-app figures for monthly listeners, followers and view counts, cross-checked against the platforms directly. The one figure Spotify never publishes — a career stream total — is built from its per-track counts: kworb's mirror of them, summed daily, anchored to a dated read of ChartMasters' count, from its Playcounts Tool or the exact running totals its public artist page prints (last 18 October 2026), with the gap between the two re-measured at each dated read.
- Awards51 award bodies
- The awarding organisation's official winners and nominees lists — the Recording Academy (Grammys), BET, the BRIT Awards, MOBO, MTV and others — plus contemporaneous reporting from established outlets for the ceremony itself.
- Tours & liveTouringData · Boxscore · Pollstar · venue capacities
- Box-office and attendance figures from Billboard Boxscore and Pollstar reports as published by TouringData, where available; verified venue capacities; and primary reporting for one-off shows and festival billings.
How often it's updated
Fast-moving streaming figures — Spotify monthly listeners, song streams and video views — are tracked live and updated as they move; follower counts and his channel's all-time YouTube total are read by hand every few weeks. Slower records such as certifications, chart peaks and awards are updated as each new milestone is confirmed. Every change worth noting is logged on the Latest Updates feed, so you can always see what changed and when.
Spotted something wrong?
Accuracy matters more than being first. If a figure looks off — or a new milestone has been reached — send the primary source (an official chart card, a certification database entry, a platform screenshot) via the contact page. Verified corrections are applied quickly and noted on the updates feed.
When a source shows less than it awarded
A register can publish fewer certifications than it has issued, and absence from one is not evidence against it. Nigeria is the sharpest case: TurnTable's public certification page serves a hard cap of 500 rows, and currently no Silver certifications at all — for any artist. This site reads that same register's own archived captures alongside the live page, so its Nigerian counts run higher than TurnTable's site shows today. Nothing is inferred: it is the same register, read further back. Open the capture and search an artist's name to check any figure here yourself.
Independence
This is a fan-made project with no affiliation to Burna Boy or his team, no sponsorship and no advertising. There's no commercial incentive to inflate a number — the only goal is to be the most accurate Burna Boy stats resource on the web.
How /compare counts
The compare page does the one thing the section above says a certification count cannot: it puts two catalogues on a single scale. It can only do that by pricing every certification at its own body's published threshold and being explicit about what that buys, so five rules govern it.
Every figure is a floor. A Platinum single in the UK means at least 600,000 units; it could be 1,190,000 and nobody would know until it reached 2×. So the page says “at least”, and never says “sold”. It is a floor for both sides under identical rules, which is what keeps the comparison honest rather than precise.
Today's threshold, at every body. 13 of the 28 bodies changed their levels inside the window these certifications span, and most raised them. Every certification is priced at the level the body publishes today — the figure a reader can check against the body's own page — with one exception marked ¶, below, and wherever that body raised its levels, the page marks the figure with a “‡” and says so: a certification awarded before the rise may have cleared a lower bar than today's figure implies. A South African Platinum single is priced at RiSA's current 40,000 units; one earned in 2022 needed 20,000. One body — IFPI Greece — publishes no current level at all. Its certifications are priced at the last level ever published for it: IFPI's own International Certification Award levels list, updated June 2013 (singles Gold 3,000 / Platinum 6,000; international-repertoire albums the same), and every such line carries a “¶” that says so, because the body now certifies from its streaming Digital Singles chart and states no ratio — a certification awarded today may sit on a different bar. Poland's singles are priced at the level its body prints today, in złoty of revenue, divided by 2 zł a single — the rate its own single tables used until the end of 2024 — and those lines carry a “¶” too, for the rate rather than the level. The alternative — pricing at the lowest level each body has applied since 2015 — was established for every body and is kept in the data, but it would understate every certification earned after a rise by as much as it protects the earlier ones, and it prices against numbers no body publishes any more. One refinement holds either way: for a body that keys thresholds to release date, the band a record actually fell in is the one that applies.
One plaque per release per country, at its current tier. Gold → Platinum → 2× Platinum is the same sales recertified, not three sales. A release's own upgrades are never added together.
Units are not a common currency, so some certifications cannot be priced. Of the 28 bodies whose certifications appear here, 27 can price a single: 16 publish the threshold in sales-equivalent units, one is priced at a historic level (¶), one publishes it in złoty (¶), one is a label's own figure (Turkey, where no body certifies), and 8 publish it in streams. 6 of those publish their own download-equivalence, which is what this site converts with — France at 150 streams to a download, Denmark and Norway at 100, the Netherlands at 215, Czechia at 222, Slovakia at 217. Two — Sweden and Mexico — publish their levels in streams and no ratio at all; their certifications are converted at 100 streams to a unit, the ratio Denmark and Norway publish for the same measure, and every such line carries a “§” that says so. It is the one place the page applies a ratio a body did not set, and it is there because a certification that cannot be summed is one that goes unseen. Sweden counts capped streams, so its figure is a floor twice over. It is no longer the only departure from a body's own published figure: Greece is priced at IFPI's June 2013 level — the last one ever published for it — and marked “¶”. Poland sets its single levels in złoty of revenue — Gold is 125,000 zł — and its current rules state no rate, so they are divided by 2 zł a single, the rate its own single tables used from 2017 to the end of 2024: a Gold single is 62,500 units, and those lines carry a “¶” too. What remains cannot be converted at any ratio: Colombia publishes no threshold. Those certifications are listed and never summed — and never folded out of sight — because scoring them zero in silence would penalise whoever holds more of them.
Nigeria is separated by default. TCSN's register is request-based — absence from it proves nothing about a record, only that nobody applied — so a gap between two artists there can measure paperwork rather than sales. It is counted on its own line, never deleted, and folded in automatically when both artists hold most of their certifications there or when one of them holds none anywhere else. Whenever that happens the page says so, in a sentence, on screen.
Which bodies raised their thresholds, and when
Wherever a figure on the compare page carries a “‡”, the body behind it raised its levels since 2015. This is the record, body by body; the lower levels each body applied are kept in the data.
- 🇨🇿 ČNS IFPI (Czechia) — ČNS IFPI's stream thresholds have not moved, but its download equivalence fell from 225 to 222 subscription streams on 9 March 2026, so the same threshold is worth slightly more units today than in 2025. Priced at today's ratio. Before July 2025 Czech certification ran on CZK revenue — a different measure.
- 🇫🇷 SNEP — SNEP raised its single levels on 27 April 2018 from 10, 20 and 35 million équivalent streams to 15, 30 and 50 million — 66,666 / 133,333 / 233,333 units to 100,000 / 200,000 / 333,333 at its 150:1 ratio. Priced at today's level; a certification awarded before then may have cleared the lower bar.
- 🇩🇪 BVMI — BVMI raised its single levels on 30 June 2023 from 200,000 / 400,000 / 1,000,000 to 300,000 / 600,000 / 1,500,000. Albums moved the other way on the same date, keyed to release date: Gold 100,000 / Platin 200,000 for albums first released 1 January 2003 to 29 June 2023, 75,000 / 150,000 for releases from 30 June 2023 — the table prints the newer band, and no German album certification is on the site. Priced at today's level; a certification awarded before then may have cleared the lower bar. BVMI keys bands to release date and every German single here was released 2016 or later.
- 🇭🇺 MAHASZ — MAHASZ raised singles from 1,500 / 3,000 to 5,000 / 10,000 and international albums from 1,000 / 2,000 to 2,000 / 4,000 inside the window, keying the changes to release date. Priced at today's level; a certification on an earlier release may have cleared the lower bar.
- 🇮🇹 FIMI — FIMI raised its single levels three times from week 01/2020 — 15,000 / 30,000 / 300,000 to today's 100,000 / 200,000 / 2,000,000. Albums never moved. Priced at today's level; a certification awarded before 2020 may have cleared a bar as low as a seventh of this.
- 🇲🇽 AMPROFON — AMPROFON raised album levels from 30,000 / 60,000 / 300,000 to 70,000 / 140,000 / 700,000, and single levels from 9.3 / 18.6 / 93 million to 22 / 44 / 220 million audio streams, for releases from 1 November 2020. Priced at today's level; a certification on an earlier release may have cleared the lower bar.
- 🇳🇱 NVPI — NVPI's singles were 15,000 / 30,000 units before mid-2016 and are 10, 20 and 50 million streams at 215 streams per sale today — 46,511 / 93,023 / 232,558 units. Priced at today's level; a certification awarded under an earlier regime may have cleared a lower bar.
- 🇵🇱 ZPAV — ZPAV raised its single levels on 1 August 2021, from 20,000 / 40,000 / 200,000 zł to 50,000 / 100,000 / 500,000 zł, and on 1 January 2025, to 125,000 / 250,000 / 1,000,000 zł; foreign-repertoire albums rose from 10,000 / 20,000 / 100,000 to 15,000 / 30,000 / 150,000 on the same 2025 date. Priced at today's level; a certification awarded before a rise may have cleared a lower bar.
- 🇵🇹 AFP — AFP/Audiogest raised its single levels from 5,000 / 10,000 / 100,000 to 12,000 / 25,000 / 250,000 on 1 January 2024. Albums did not move. Priced at today's level; a certification awarded before 2024 may have cleared the lower bar.
- 🇸🇰 ČNS IFPI (Slovakia) — ČNS IFPI's Slovak stream thresholds have not moved, but its download equivalence fell from 240 to 217 subscription streams on 9 March 2026, with two unarchived revisions between, so the same threshold is worth more units today than in 2025. Priced at today's ratio. Until 2022 the Slovak certifications ran on euro revenue — a different measure.
- 🇿🇦 RiSA — RiSA roughly doubled its thresholds for sales after 1 January 2024 — singles Gold 10,000 → 20,000, Platinum 20,000 → 40,000; albums Gold 15,000 → 25,000, Platinum 30,000 → 50,000 — and prints both regimes side by side. Priced at today's level; a certification awarded before 2024 may have cleared the lower bar.
- 🇪🇸 Promusicae — Promusicae raised its song thresholds in April 2025 from 20,000 / 40,000 to 50,000 / 100,000. Priced at today's level; a certification awarded before then may have cleared the lower bar.
- 🇸🇪 IFPI Sverige — IFPI Sverige raised its song levels on 1 January 2024 from 4 and 8 million streams to 6 and 12 million — 40,000 / 80,000 to 60,000 / 120,000 units at 100 streams to a unit. Priced at today's level; a certification awarded before then may have cleared the lower bar.
Wherever a figure carries a “¶”, it rests on something the body published once and no longer prints — the level itself, or the rate its level is converted at. The record:
- 🇬🇷 IFPI Greece — IFPI Greece publishes no current level. Priced at IFPI's own International Certification Award levels list, updated June 2013 — the last figure ever published for Greece (singles Gold 3,000 / Platinum 6,000 unit sales; international-repertoire albums the same). The body now certifies from its streaming Digital Singles chart and states no ratio, so a certification awarded today may sit on a different bar.
- 🇵🇱 ZPAV — ZPAV sets single levels in złoty of revenue — Gold 125,000 zł, Platinum 250,000 zł, Diamond 1,000,000 zł — and its current rules state no rate. They are converted at 2 zł a single, the rate its own tables used from 2017 to the end of 2024, printing every single level in units and złoty side by side, so a Gold single is 62,500 units. The same 2025 rules raised the album rate from 20 zł to 35 zł, so the units behind a złoty level may differ.
Every threshold the compare page uses
Today's published level at each of the 28 bodies, in units. A dash means the body does not award that tier; a row that says listed is a body whose certifications appear on the page but are never priced, for the reason given. A row marked “¶” for Greece is not today's level but the last level the body ever published (IFPI, June 2013), because the body publishes none now. Poland's single figures are today's złoty levels divided by 2 zł a single — the rate its own single tables used until the end of 2024 and no longer state — and each carries a “¶”. Turkey has no certification register: its single certifications are issued by record labels, and the one level any label has published is Sony Music Türkiye's — 75,000 units for a Diamond single. Turkish Gold and Platinum levels are unpublished, so those cells are blank for that reason, not because the tier is not awarded.
| Body | Single · Silver / Gold / Platinum / Diamond | Album · Silver / Gold / Platinum / Diamond | ||||||
|---|---|---|---|---|---|---|---|---|
| Silver | Gold | Platinum | Diamond | Silver | Gold | Platinum | Diamond | |
| ARIAAustralia | — | 35,000 | 70,000 | — | 20,000 | 35,000 | 70,000 | 500,000 |
| IFPI AustriaAustria | — | 15,000 | 30,000 | — | — | 7,500 | 15,000 | — |
| UltratopBelgium | — | 20,000 | 40,000 | 200,000 | — | 10,000 | 20,000 | 100,000 |
| Pro-Música BrasilBrazil | — | 20,000 | 40,000 | 160,000 | — | 20,000 | 40,000 | 160,000 |
| Music CanadaCanada | — | 40,000 | 80,000 | 800,000 | — | 40,000 | 80,000 | 800,000 |
| Pro Música ColombiaColombia | Listed, not priced — Pro Música Colombia publishes an awarded roster but no unit thresholds. Its whole site was read: the body says only that it awards for 'la música más vendida en formatos físicos y digitales'. | |||||||
| ČNS IFPI (Czechia)Czech Republic | — | 11,261 | 22,522 | — | — | 22,522 | 45,045 | — |
| IFPI DenmarkDenmark | — | 45,000 | 90,000 | — | — | 10,000 | 20,000 | — |
| SNEPFrance | — | 100,000 | 200,000 | 333,333 | — | 50,000 | 100,000 | 500,000 |
| BVMIGermany | — | 300,000 | 600,000 | 1,500,000 | — | 75,000 | 150,000 | 750,000 |
| IFPI Greece ¶Greece | — | 3,000 | 6,000 | — | — | 3,000 | 6,000 | — |
| MAHASZHungary | — | 5,000 | 10,000 | — | — | 2,000 | 4,000 | — |
| FIMIItaly | — | 100,000 | 200,000 | 2,000,000 | — | 25,000 | 50,000 | 500,000 |
| AMPROFONMexico | — | 220,000 | 440,000 | 2,200,000 | — | 70,000 | 140,000 | 700,000 |
| NVPINetherlands | — | 46,511 | 93,023 | 232,558 | — | 18,604 | 37,209 | 93,023 |
| RMNZNew Zealand | — | 15,000 | 30,000 | — | — | 7,500 | 15,000 | — |
| TurnTable (TCSN)Nigeria | 25,000 | 50,000 | 100,000 | — | 12,500 | 25,000 | 50,000 | — |
| IFPI NorwayNorway | — | 30,000 | 60,000 | — | — | 10,000 | 20,000 | — |
| ZPAVPoland | — | 62,500 ¶ | 125,000 ¶ | 500,000 ¶ | — | 15,000 | 30,000 | 150,000 |
| AFPPortugal | — | 12,000 | 25,000 | 250,000 | — | 3,500 | 7,000 | 70,000 |
| ČNS IFPI (Slovakia)Slovakia | — | 3,917 | 7,834 | — | — | 8,064 | 16,129 | — |
| RiSASouth Africa | — | 20,000 | 40,000 | — | — | 25,000 | 50,000 | — |
| PromusicaeSpain | — | 50,000 | 100,000 | — | — | 20,000 | 40,000 | — |
| IFPI SverigeSweden | — | 60,000 | 120,000 | — | — | 15,000 | 30,000 | — |
| IFPI SwitzerlandSwitzerland | — | 15,000 | 30,000 | — | — | 10,000 | 20,000 | — |
| Sony Music TürkiyeTurkey | — | — | — | 75,000 | listed — Turkey has no certification register, and no label issuing certifications there, Sony Music Türkiye included, publishes an album level. | |||
| BPIUnited Kingdom | 200,000 | 400,000 | 600,000 | — | 60,000 | 100,000 | 300,000 | — |
| RIAAUnited States | — | 500,000 | 1,000,000 | 10,000,000 | — | 500,000 | 1,000,000 | 10,000,000 |
The RIAA's Latin programme certifies at 6% of the standard scale — Oro 30,000, Platino 60,000, Diamante 600,000 — and the three Latin certifications on the board are priced on it and marked.
How dates are filed
The calendar holds only records that carry their own day, each filed on the date its own source prints: a certification on the date its body's register gives it, a chart peak on the issue that first carried it, a show on the night itself. A record known only by its year stays off the calendar until its day is read.